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News BY Ade Akin | October 21, 2026

Creative Halloween Marketing Turns Local Traditions Into Brand Experiences

Two of this season’s Halloween marketing campaigns have a street address. Dunkin’ turned a shop in Salem, Massachusetts, into a haunted house run by its spider-shaped mascot. Reese’s is running a nationwide search to find the best street in America for trick-or-treating, and the winning street gets a block party.Neither brand built its campaign around a traditional ad. Each one centers on bringing people together in a real place, then letting social media carry the story.The timing makes sense. Consumers plan to spend $13.5 billion on Halloween this year, $400 million more than last year’s record of $13.1 billion, according to the National Retail Federation’s (NRF) annual Halloween survey of 7,889 consumers.A Social Media Mascot Moves Into a Real StoreIn early October, Dunkin’ opened Spidey D’s Horror House at a location in Salem. The store takeover features the décor of Spidey D, Dunkin’s viral Halloween mascot, exclusive Halloween merchandise, and a Zoltar fortune-telling machine the character has “possessed.” Visitors don’t need a ticket or reservation to join the fun, which runs through the end of October.The Spidey D character began online. The character first appeared on Dunkin’s social accounts in October 2024 as the face of the chain’s purple Spider Donut. In one week, its chaotic posts earned more than 2.5 million engagements and 100,000 new followers, The Boston Globe reported. The buzz reached the counter, too. Dunkin’ sold 13 million Munchkins and doughnuts on Halloween 2024, a record for the holiday, according to the Globe.Last year, Spidey D took over the same Salem shop, covering it inside and out in purple slime and webs. That store went on to post one of the highest single-day sales the brand has ever recorded, the Globe reports. Jill McVicar Nelson, who was Dunkin’s CMO at the time, explained to the Globe that the team “wanted to see what happens when you take Spidey D off the phone and into the real world.”This year’s Horror House builds on that playbook, turning a social media character into an experiential marketing destination fans can walk into.Reese’s Puts Neighborhoods in the SpotlightReese’s launched its Trick-or-Treatiest Street in America search on Oct. 1. To narrow the field to 150 contenders, the Hershey-owned brand surveyed 15,000 Americans and weighed factors such as decorations, community participation, and walkability, Marketing Dive reported.Today, the first-ever Halloween Council named the winner: East Dudley Avenue in Westfield, New Jersey. The winning street receives a Reese’s block party in partnership with Zillow.“The best Halloween streets aren’t just the ones that decorate or have the biggest budgets,” Halloween council-member Christina Ricci asserted in Reese’s announcement. “Instead, they are the ones that create an atmosphere where trick-or-treaters keep coming back, and the entire community becomes part of the experience.”The approach doubles as community marketing: Instead of telling people what makes Halloween special, Reese’s asks neighborhoods to show it.Why Physical Promotions Fit This MomentBoth campaigns give fans something to do, not just something to watch or read.The brand’s hand over part of that conversation by design. Spidey D’s following grew in comment sections, a form of user-generated content that topped 30,000 comments in 2024. Reese’s makes each participating neighborhood’s own Halloween traditions the story. In both cases, the brands give people a reason to participate, turning a seasonal campaign into something they can help shape and share.Ade Akin covers artificial intelligence, workplace wellness, HR trends, and digital health solutions.(Photo by Svetlana Popova/iStock)

Creative Halloween Marketing Turns Local Traditions Into Brand Experiences
News BY Grace Turney | September 17, 2026

Sydney Sweeney’s “Just Sports” Campaign Starts a Marketing Conversation Beyond Sports

Novig, a sports prediction market, just launched its first national “Just Sports” campaign, starring Sydney Sweeney. The Euphoria star is not only the face of the campaign, but also a strategic partner and equity holder. One ad shows Sweeney posing with sports equipment just barely covering her nude body. Some female athletes have called it a step backward for how women’s sports are marketed.Novig’s marketing tactic isn’t anything new. Brands have long used shock value and celebrity endorsements to grab attention and generate buzz. But the visual language the company chose is doing more than catching the eye of sports fans who happen to like Sydney Sweeney. It’s become part of an ongoing conversation about how women’s sports are depicted in the media.In a press release announcing the campaign, Novig described it as a way to present its “Just Sports” message with “confidence, humor and a playful edge.” As Sweeney’s ad circulated widely online, backlash was swift. The overall consensus is that the ad has little to nothing to do with sports trading, and instead primarily highlights Sweeney’s body. Female athletes are among the loudest critics.Four-time Olympic gold medalist swimmer Ariarne Titmus called out Novig’s marketing for sexualizing women’s sports. “I can’t describe how infuriated I feel when I watch this,” she wrote on Instagram, per The Guardian. She added that the ad undermines every woman who has built her career on skill rather than image, and questioned why monetizing women’s bodies still passes as acceptable marketing.Former college gymnast Gracie Kramer also took to Instagram to criticize the ad. She posted a highlight reel of her own athletic career, captioning it with a line aimed squarely at the Novig campaign: “idk what Sydney Sweeney was doing, but this is what a woman in sports looks like.”This is not Sweeney’s first time facing controversy for a marketing campaign. Selling soap made from her bath water in a partnership with Dr. Squatch garnered criticism for what some deemed vulgar exploitation. Her series of short video ads for American Eagle similarly used her sexuality as a marketing ploy. In one clip, Sweeney said, “My body’s composition is determined by my genes.” The camera then panned down to her chest, and she said, “Hey, eyes up here.” For marketers, the Novig campaign offers a case study in a tactic that’s becoming increasingly common: using controversy as a way to drive engagement. Novig set out to build a reputation as a platform for serious sports fans, but the campaign has generated conversation well beyond the world of sports trading. Sweeney’s controversial American Eagle campaign and Novig’s latest campaign suggest a broader pattern in celebrity marketing: sex appeal can be an effective way to capture attention, while also creating reputational risk when the underlying message is perceived as regressive.The bigger risk for brands isn’t the backlash itself, but what the backlash reveals about audience trust. A campaign can rack up engagement and still erode the thing marketers actually need long-term: the sense that a brand understands and respects the people it’s trying to reach. As more companies lean on star power to break through a crowded feed, the Sweeney campaigns are becoming a reference point for what happens when a “bold” creative choice reads as out of touch instead.Grace Turney is a St. Louis-based writer, artist, and former librarian. See more of her work at graceturney17.wixsite.com/mysite.(Photot by ElenaMist/iStock)

Sydney Sweeney’s “Just Sports” Campaign Starts a Marketing Conversation Beyond Sports

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